ONE TO FOURTEEN BEDS (2025)
The work features landscapes that extend elements of the surrounding rooms, creating seamless yet surreal continuations of the space. The work is a suggestion of a space that is both continuous and disrupted. The images slip between imitation and invention, blurring the boundary between what is built, what is remembered, and what is imagined.
Part of the group exhibition Mapping Time, The Monk’s Bunk (2025)
Digital print on paper
Various dimension
Mapping Time was a group exhibition by MA Contemporary Art students from the Estonian Academy of Arts, hosted at The Monk’s Bunk Hostel in Tallinn’s Old Town. Responding to the building’s layered history — from medieval origins to its transformations as a factory, library, and dispensary — the exhibition explored ideas of home, time, travel, and belonging. Works were installed throughout the hostel’s rooms and corridors, drawing attention to its transient function as a social space while engaging with its historical past and contemporary use.
NORA SCHMELTER
ONE TO FOURTEEN BEDS (2025)
The work features landscapes that extend elements of the surrounding rooms, creating seamless yet surreal continuations of the space. The work is a suggestion of a space that is both continuous and disrupted. The images slip between imitation and invention, blurring the boundary between what is built, what is remembered, and what is imagined.
Part of the group exhibition Mapping Time, The Monk’s Bunk (2025)
Digital print on paper
Various dimension
Mapping Time was a group exhibition by MA Contemporary Art students from the Estonian Academy of Arts, hosted at The Monk’s Bunk Hostel in Tallinn’s Old Town. Responding to the building’s layered history — from medieval origins to its transformations as a factory, library, and dispensary — the exhibition explored ideas of home, time, travel, and belonging. Works were installed throughout the hostel’s rooms and corridors, drawing attention to its transient function as a social space while engaging with its historical past and contemporary use.